(2024, installation ) Collaboration with men serving long term sentences at Stateville Prison in Illinois to explore mass incarceration and personal histories.

(2022-24, performance) A conversation, a silent walk, a performance for one. WELCOME TO THE FUTURE! (everything’s going to be alright).

(2022, gallery installation) A timeline of the Global War on Terror and police violence and the connections between the two.

(2020, LPFU, on-line lecture series) Two-semesters worth of pandemic necessitated hour-long on-line presentations, workshops, performances, discussions and unclassifiable events.

(2019-20 performance) Forest creatures create a cryptocurrency called “The Lucky” and go to heaven - which could just be Costco.

(2017, installation, group performance, related programming) A timeline covering he interior of Comfort Station Chicago focused on the destruction caused by Afghan and Iraq wars paired with the war years’ top grossing Hollywood films.

(2017, LPFU, group learning, exhibition) We attempt to capture the chaos and resistance of the first 100 days of the first Trump administration on a communal timeliine.

(2016, LPFU, performance, study group) Boys in gold hot pants, a giant squirrel and cocktails help explain the economic precarity in pursuing an arts education. MFAs for everyone!

(2017-18, performance) American Sniper meets the 80s & 90s AIDS crisis.

(2014-15, LPFU, group learning seminar, exhibition) Collective investigation in London and Chicago exploring links between economic precarity and environmental decline.

(2013, collective writing project and installation) A community-based project and installation responding to the systematic torture of Black men and women at the hands of the Chicago Police Department.

(2013, LPFU, group learning, exhibition, performance) 6 month collaboration between US & UK artists culminates in performances and 10 hour conversation between London and Chicago.

(2013- present, group learning platform) Lucky Pierre’s fully unaccredited art school and group learning platform.

(2012, performance) 12 hour election day group performance and discussion about the U.S. constitution.

(2011, group performance/discussion) 12-hour conversation marking the 10-year anniversary of America’s war in Afghanistan.

(2010-13, performance) Ralph Waldo Emerson walk across a city (Chicago, London, Budapest, New York) and stop to give a lecture. The audience and disco-legend Sylvester join the walk. We end up at a bar.

(2006-07, performance) In a Chicago bar and music venue, we take on arts funding and the Boeing Corporation (complicit in Bush-era torture rendition flights) all to the music of AC/DC.

(2006-20, community-based performance, and video installation) We prepare each Texas Death Row final meal request since 1982 and invite volunteers to sit with each meal alone, in an act of witness.

(2004, group performance) 32 performances about the 32 clip art categories in the Microsoft Office Suite of Software.

(2002-05, performance ) Getting lost in America while being chased by actor Steve McQueen, dancing with tulips, performing a Haydn oratorio, and yelling at the TV.